ÐÏࡱá>þÿ .0þÿÿÿ-ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿì¥Á€ ð¿Mbjbj´V´V 4Ö<Ö<M ÿÿÿÿÿÿ·\\\\\ÿÿÿÿppppŒ p*0˜®®®®µµµÍÏÏÏÏÏÏZ¢ü8Ï\µµµµµÏ\\®®äuuuµš\®\®ÍuµÍuuu®ÿÿÿÿ�¶¼éEÌpO u¹ú0*u4Y4u4\uDµµuµµµµµÏÏuµµµ*µµµµÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ4µµµµµµµµµ ": Metamorphosis Roundtable Wednesday 18th May 2011 In the Middle Ages metamorphosis was used widely to consider connections between man and his natural environment; to describe man’s relationship to God; to represent the vagaries of the soul and changes to man’s destiny; and to figure changes in nature and identity. This interdisciplinary roundtable, conceived of as a closing event for the HRC funded Medieval Seminar Series, brought together international scholars and ¹û¶³´«Ã½ medievalists and students to discuss the variety of forms and uses of metamorphosis in medieval culture. The roundtable was opened by Amanda Hopkins (¹û¶³´«Ã½) who spoke about the troubling category of the werewolf in Marie de France’s Bisclavret and the Old French lays of Melion and Biclarel; Philippe Frieden (Genève and King’s College London) then focused on a series of illuminations from the Roman de la Rose used to represent the Ovidian myths of Narcisuss and Pygmalion and the endless reshaping of the figure of Fortune; Emma Campbell (¹û¶³´«Ã½) analysed the Vie de sainte Marie l’Egyptienne in its Middle and Old French versions, underling the different elements used to portray her spiritual conversion and the interplay between its textual and pictorial rendering; Giuseppe Ledda (Bologna) detailed the richness of Dante’s use of the concept metamorphosis in the Divine Comedy, not only as a creative reworking of textual traditions and a narrative device but also as a radical attempt to transform the poetry itself and ultimately the reader. The presentations stimulated a lively debate that produced wide-ranging comparison of different cultural traditions, as well as consideration of the methods used for approaching and thinking metamorphosis in different contexts. One fruitful area of discussion was the difficulty of representing and conceptualizing metamorphosis in the medieval period and the ways this was dealt with differently in visual and textual material. Something to emerge strongly from many of the papers – and that was pursued in general discussion – was the paradoxical nature of medieval metamorphosis, which relied upon while also resisting both visualisation and verbalisation. The handouts from the roundtable are available for download from the Medieval Seminar website: HYPERLINK "http://www2.warwick.ac.uk/fac/arts/hrc/events/mss/mm/"http://www2.warwick.ac.uk/fac/arts/hrc/events/mss/mm/ Following the success of this event, it is hoped that another roundtable on a different theme will take place next year. 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